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・ Édouard Kargu
・ Édouard Kirmisson
・ Édouard Laberge
・ Édouard Lacroix
・ Édouard Laguesse
・ Édouard Lalo
・ Édouard Lambert
・ Édouard Lantéri
・ Édouard Lartet
・ Édouard Le Danois
・ Édouard Le Roy
・ Édouard Leclerc
・ Édouard Lefèvre
・ Édouard Levé
・ Édouard Liénard
Édouard Lock
・ Édouard Lockroy
・ Édouard Loubet
・ Édouard Louis
・ Édouard Louis Trouessart
・ Édouard Lucas
・ Édouard Luntz
・ Édouard Manet
・ Édouard Mantois
・ Édouard Manès
・ Édouard Marcelle
・ Édouard Marie Heckel
・ Édouard Martin
・ Édouard Masson
・ Édouard Mathé


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Édouard Lock : ウィキペディア英語版
Édouard Lock

Édouard Lock (born March 3, 1954, Morocco) is a Canadian dance choreographer and the founder of the Canadian dance group, La La La Human Steps.
==History==
In 1957, Édouard Lock's parents moved to Montreal, where he studied film and literature at Concordia University.
He began his choreographic career at the age of 20, creating works from 1974 to 1979 for a variety of Canadian dance companies and institutions. In February 1979 the New York Times reviewed his appearance on stage together with Martine Epoque:
:"Something is happening, but one is never sure what. The atmosphere is palpable in Mr. Lock's 'Remous,' with women stretching their white skirts against the light, murmured names and a dreamy partial striptease atop a table."〔This is Lock's first mentioning in the Times, as member of Le Groupe Nouvelle Aire who made their New York debut in 1978. Jennifer Dunning: ''Groupe Nouvelle Aire at Riverside Church'', New York Times, 9 February 1979, pg. C31〕
He formed La La La Human Steps in 1980, and began choreographing full-length works, which soon attracted international attention. Since 1985, each work for La La La has toured internationally for up to two years. The company was disbanded in September 2015 owing to financial difficulties.
He founded Lock Danseurs, the precursor of La La La Human Steps, in 1980, and started to work with dancer Louise Lecavalier, his muse and close collaborator for 18 years. In 1980 Lock's ''Lily Marlène dans la jungle'' was presented at Montreal's Théâtre l'Eskabel, then at The Kitchen in New York. The following year, he won the Jean A. Chalmers Award for choreography for Oranges, and was honoured with the same award again in 2001.
In 1985, Human Sex established Édouard Lock's international reputation as one of the great choreographers, and in 1986 it earned him a Bessie Award from New York's contemporary dance professionals.
Lock has received commissions from the Dutch National Ballet, the Nederlands Dans Theatre, Montreal's Grands Ballets Canadiens and the Opéra de Paris.
In 2001, he was made a Knight of the National Order of Quebec and an Officer of the Order of Canada. In 2006, he was made a Fellow of the Royal Society of Canada. ()

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